So there are differences in the way you would approach playing those rhythms. In 2/4 time with triplets, you would count 1,2 and just play the three notes in a beat but with 6/8 time it is just 1,2,3 1,2,3. So in 2/4 with triplets, you would still have your two main crotchet beats you will only really play three notes in the time of one beat. The quarter/beamed eighth note combination (or ta and ti-ti, du and du-de, etc.) is typically the first experience with rhythm in most elementary music. Triplet does not change the beats, you still have exactly the same amount of beats you just play a certain amount of notes instead of the regular. So 6/8 time you will count 1,2,3 1,2,3 with the emphasis usually on the first beat. The only difference between 6/8 and 2/4 is that instead of crotchet beats you now have dotted crotchet beats. So remember 6/8 time is Compound Duple Time it is, in fact, more similar to 2/4 time than 3/4. How do you dance the waltz, it is 1,2 1,2 1,2? Think about how the dancers move when they dance the waltz.Ī compound Time Signature now has pulses with dots next to them but the underlying number of pulses remains the same. Although 3/4 and 6/8 look superficially similar how they are counted differs much. Generally speaking though, you have to fill out the measures on both staves, not just 1.It is easiest when trying to count. The beat in a compound meter, however, is subdivided into three parts. The beat in a simple meters is subdivided into two parts. Since 3/4 is a simple meter and 6/8 is a compound one, they are subdivided differently. In 3/4, the accent is on each quarter note: 1-2-3 1-2-3. The bottom number of the time signature indicates a certain kind. In 6/8, the accent is on the first and fourth beats: 1 -2-3- 4 -5-6. It takes 2 eighth notes to equal 1 quarter note. As you saw in the time signature examples above, each time signature has two numbers: a top number and a bottom number: 2/4 time, 3/4 time, 4/4 time, 3/8 time, 9/8 time, 4/2 time, 3/1 time, and so on. An eighth note is equal to 1/8 of the whole note and lasts for half of one beat. For example, if the clef displays 4/4, the bar must contain the equivalent of 4. The number of notes allowed in each measure is determined by the time signature. A whole note is equal to two half notes, four quarter notes, eight eighth notes, sixteen sixteenth notes, or thirty-two thirty-second notes. I'll find some pictures of this for an example to add to this answer in a bit :) Most modern music only uses a range of note durations from whole notes to thirty-second notes. The only exception is that sometimes, when the piano is doing nothing, you see rests written between the staves instead of duplicated on each stave, but this isn't universal and it's equally correct to write the rests on each stave. That said, if it really is supposed to be 6/8 then you still just count it like you normally would. Unless the tempo is rather fast I'd say this is better served being written as 3/4 with all of the note values doubled. So if only 1 hand is playing, the other stave needs rests to complete the bar. 1 I wonder very much about this being labelled 6/8. The rules for writing for piano in this case are essentially the same as any other instrument, except that piano, while being only 1 instrument, takes up 2 staves.Įach stave must independently fit the time signature, you essentially think of each hand as a separate instrument if you like. So, in your case of 6/8 time, the total duration in each bar/measure must be 6 8th notes (that could be taken up by 6 8ths, 2 dotted quarter notes, 1 dotted half note etc.) When writing for any instrument, or combination of instruments, the duration of the notes and rests on each stave must add up to the total duration specified in the time signature.
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